Behind the only art to do business: compliance management is the lifeblood of enterprise development
No matter in the past Internet conferences or in the warm Double 11 shopping festival, the only art of the digital art power platform always participated in an orderly way in its own way, making it brilliant. Compared with other companies related to digital art, the only high-profile art business always adheres to compliance, so it can walk in the forefront of the industry. The following content will answer for you.
1、 The business is flourishing, and innovation has never stopped
At the 2022 Internet Conference held from November 9 to 11 this year, in addition to the new technologies and new content brought by China Mobile, Tencent, Alibaba and other established companies, some new forces that have been established but developed rapidly have also attracted the attention of the industry. In the exhibition hall of the unique art, there are an endless stream of people coming to visit. The exhibition of the unique art meta universe, unique art cloud and nft is like opening a new era. When most people just see relevant concepts in the network media or some information corners, the unique art brings these new technologies to the conference, which makes the audience see a bright light.
In addition to the exhibition, the only art still has "new technology and new products". At the press conference, the new product conference was held with the theme of the first stop of the only cloud brand entering the meta universe. When Xu Dajun, the only art partner, talked about it at the meeting, "Weiyi Cloud's business advantages". At that time, the audience took photos of the demonstration one after another. It can be seen that Weiyi Cloud really got through some problems to some extent and aroused resonance.
Because of this, it is understood that the only art e-commerce platform is the only one that has been recognized by tens of millions of customers. It has launched digital collection SaaS and DaaS cloud services for brand merchants. Based on "blockchain" technology, it provides digital art chain and cloud infrastructure services for brands and customers, helping more people, brand enterprises, and physical enterprises to enter the Web3.0 and meta universe industries.
At the same time, during the Double 11 Carnival, the only meta universe was online on the evening of November 10 with the theme of "BOOMSHAKEXFEVERBANG! Bang! Bang!"! It breaks through the traditional offline jumping mode, creates a very real feeling scene with the help of the virtual meta universe, allows users to jump online, and obtains the joint mode of offline physical exchange of the wonderful pocket of the meta universe through online jumping. It empowers the brand from virtual to real.
The universe has brought more interesting content to the Internet conference and Double 11, but in addition to being lively, the development of digital art still needs more sober thinking, especially in the environment of constantly strengthened regulatory policies, how to better comply? It has become a problem in front of every digital collection platform. The only art has always achieved the unity of knowledge and practice in terms of compliance.
2、 Adhere to compliance, always on the way
In March 2022, the only art approved by the Blockchain Information Service Filing of the State Internet Information Office obtained the relevant number. The service project, NFT asset issuance/incubation platform, has become one of the seventh batch of enterprises to obtain the filing. In May 2022, in order to actively implement the Opinions on Promoting the Implementation of National Cultural Digitization Strategy issued by the General Office of the Central Committee and the General Office of the State Council, help the Ministry of Culture and Tourism to realize the cultural tourism development plan during the "14th Five Year Plan", respond to the China Internet Finance Association, the China Banking Association NFT, the only art association of China Securities Association, has jointly issued a joint statement of Financial Risk Related Initiative "to help revitalize culture and adhere to the bottom line of the industry".
In August 2022, the only art unit to become the second vice chairman of the Blockchain Professional Committee (CCIAPCB) of China Communications Industry Association is one of the units that formulated General Standards for Digital Collection 1. 0. It is reported that the only art has always adhered to the development concept of being active and abiding by laws and regulations, and actively appealed to industry colleagues to strictly implement the compliance management concept, understand awe, maintain the bottom line, and seek development. At the same time, the platform took the lead in organizing a number of industry seminars, legal seminars and academic seminars, and published two books from the technical level and the value of digital art content: the Ten Technologies of the Metauniverse and the 2022 Global Digital Art Market Research Report.
For the digital art platform, under the control of policies, domestic digital art has deviated from the token characteristics and is more inclined to enable industries and brands, which is consistent with the only art path that has been advocated and practiced. For digital collection platforms, compliance is the basis for development. As a new industry, there is no compliance case for reference. The only art starts from its own reality and walks out of its own compliance road.
In the opinion of Tong Shitian, the only art CEO, "as a new cultural form, nft has its own heat and flow. In addition to appreciation and collection, the value of digital art has also made great achievements in helping the development of the real economy." At present, the only art has explored the enabling industry and brand marketing, making it more closely linked with the real economy, and expanding the application boundaries of digital art, It further releases the artistic value and becomes a new growth point of the digital economy.
To sum up, for the digital art platform, under the control of policies, domestic digital art has deviated from the token characteristics and is more inclined to enable industries and brands, which is consistent with the only art path that has been advocated and practiced. For the digital Tibetan platform, compliance is the basis for development. As a new industry, there is no compliance case for reference, and the only art has gone out of its own compliance road from its own reality.